Springs from many sources • From Anywhere or Anything in this Age of Abundant Information. We have the world and beyond at our finger tips... as long as we are connected to the 'internet of things'. Every moment we experience, good or bad, has a profound impact on the decisions we as individuals make each day. There is inspiration all around us in images, sounds, aromas, and in social interactions. Traveling is just one way of broadening our perspective, opening our hearts to different views, values and approaches to life.
Inspired By Origin • Burma/Myanmar

Inspired By Origin • Burma/Myanmar

I have been hesitant to upload the “beginnings” of my blog below that I have been working on since my return from 2 separate trips to Myanmar in 2015 and 2017.


The reason for my hesitation was the incidences of violence and “Rohingya” exodus from Upper Rakhine State into Bangladesh.  I did not know how to address this, but knew it had to be addressed.   At this moment I am still trying to understand the root of why this is happening. 


Why has Aung San Su Kyi  not commented on the situation?  When and how did the term “Rohingya” evolve?  Who are the “Rohingya”?  What is the difference between Rakhine Muslins and Rohingya?  How can this be resolved? And as one delves deeply into the this, I learn that the cause is not so simple, nor is the solution.


Last night, I had the opportunity to listen to a panel discussion sponsored by The Buddhist Action Coalition, Buddhist Council of New York and Union in the James Chapel at Union Theological Seminary: “The Rohingya Genocide”.  And yet there still is no solution to the human suffering.  I finally felt it was time… I was never going to get this right.  As long as the predominant authorities ruling our planet Earth continue to battle, over power, resources, and wealth above human lives, these sad stories will continue to echo through time.


While I was growing up in the States, I remember happy events where my parents were surrounded by their good friends, whom they met back in Burma… from all denominations of religion— Christians (Catholic and Protestant), Hindi, Muslim, and Buddhist.  They didn’t focus on their differences but came together to share their friendships, memories and celebrate their lives here in the States.


We hear of human injustices around the world constantly and most of us yearn for a solution. There must be a way that every person inhabiting this planet (our only home thus far…) can find a way to live harmoniously, share in peace and share in our mutual prosperity.  Yet sadly,  solutions seem to still escape us all… for now. 


Without any answers, I find it impossible to comment objectively on this other than to urge each and everyone of us to let go of our prejudices and fears in the hopes of finding solutions to stop all injustices happening world-wide.

shwedagon pagoda

Shwedagon Pagoda, Yangon

Pieces of the Jigsaw Puzzle called “LIFE”


As a ‘first generation’ immigrant, arriving to the US at an age where memories had yet to be formed or understood,  I often felt incomplete, missing some intrinsic part of me because I had little or no idea about the culture that had help form me.


In 2015, on hearing of  Myanmar’s General Election a family trip was organized. It had been decades since I left Myanmar, but now the stars aligned and I was returning to the country of my birth.


After over 50 years of socialist military regimes,  Myanmar had begun tangible steps towards democratization… Partial free elections!


The 2008 military-drafted constitution guaranteed that unelected military representatives take up 25% of the seats in the Hluttaw (parliament); have a veto over constitutional change; have control of national security (Ministry of Defense, Home Ministry Affairs, Border Security); and, the authority to assume power in a national state of emergency.  This is what the generals called “disciplined democracy”.  Well, if anything… a step in the right direction.

Htin Kyaw at Nobel - Myanmar Literary Festival in Yangon

Htin Kyaw at Nobel – Myanmar Literary Festival in Yangon

The time between my first trip in December of 2015, before the National League for Democracy’s (NLD) Htin Kyaw took office and my return to Myanmar winter 2016. was literally 12 months.  In that time, for as many things that had changed, understandably, so many more remained the same.  Between the two trips, I spent a total of 48 days in Myanmar… close to a day, for every year that I had been away.


Formerly known as Burma (the name coined during British colonial rule after the majority ethnic group, the Bamar) until 1989 when the ruling military junta changed it to Myanmar.  The two words actually mean the same thing; Bama is the spoken name of the country, while Myanma is the written literary name of the country. 


The partial civilian government treads on a thin line as they try to introduce democratic reforms while not openly butting heads with military positions,  to resolve internal ethnic conflicts, and give the people of Myanmar, the long awaited health, social,  and economic improvements.


They are now negotiating to overhaul a country that has barely seen significant social or economic improvements since after WWII.  After gaining its independence from the British on January 4, 1948  Myanmar then Burma, was beset by political infighting and conflict among the ethnic groups over political representation and autonomy.



This post is not meant to be political, or even critical. In this post, I hope to merely express my personal experiences and thoughts as I returned to the country of my birth for the first time through my westernized eyes.   However, I felt that in order for me to understand how and why Myanmar is the country it is today, I had to do a bit of historical and societal research.


Initially, I thought this would be a simple research project. Compile the facts.  Create a brief concise bullet point of historical events.  Little did I realize, I was about to face a litany of diverging opinions and takes on Myanmar history.  Which in the end,  helped me to start to understand the psyche of the country.


If you just want to see the amazing panoramas, click here. (Sorry not functional link yet)… so here’s a few shots.





But for those die-hards read on. The brief, in a very distended nutshell…


Though there is evidence of nomadic Paleolithic cultures along the banks of the Ayeyarwady nearly 750,000 years ago and more recently,  about 11,000 years ago in the Anyathian cultures, the Myanmar, we know today is a aggregation of ethnic groups and sub-groups that have migrated from India and China within last six millennia.


Myanmar with a population of about 55,000,000 has over 135 ethnic groups, sub-grouped  into 8 groups which are officially recognized by the government. Each with their own history, culture and language. In addition, there are several groups which are not officially recognized ethnic groups (Burmese Chinese (2.5%), Burmese Indian (1.5%), Anglo-Burmese,  Panthay,  Rohingya , Burmese Gurkha, Burmese Pakistani and Tibetan)


For comparison, India with a population of over 1,350,000,000 has over 2000 ethnic groups and China with a population of over 1,370,000,000 has 56 ethnic groups.



The 8 major ethnic groups and sub groups:


Burman/Bama (est. 68%) comprised of 9 different ethnic groups;


Shan (est. 9%) comprised of 33 different ethnic groups;


Kayin/Karen (est. 7%) comprised of 11 different ethnic groups;


Rakhine/Arakan (est. 4% ) comprised of 7 different ethnic groups;


Mon/Taliang (est. 2.0% ) comprised of 1 ethnic group;


Chin (est. 2.0 % ) comprised of 53 different ethnic groups;


Kachin (est. 1.5% ) comprised of 12 different ethnic groups;


Kayah (est. .75% ) comprised of 9 different ethnic groups;



In sifting through books and internet articles, I found it difficult and frustrating to find correlating views about the early settlements in Myanmar, especially when it came to the timeline of first millennium settlements and cities. I’ve decided to make my conclusions by citing archeological, mitochondrial and linguistic sources, rather than chronicled and traditional histories.  Though there is truth in the origins of chronicles, most all legends and myths are based on actual events and altered to suit the exigency of the authors and society they serve.


I am not a historian, anthropologist, linguist or archeologist.  I just have a compulsive analytical personality and hope that in the end, present an unbiased brief.


The linguistic origins of the people of Myanmar can be divided into Tibeto-Burman, Austro-Asiatic, Tai-Kadai, Austronesian,  and Indo-Aryan.


The Austro-Asiatic speaking Mon were the first of the modern ethnic groups to migrate to Myanmar around 800 BC from southwest China settling near the Thai border and southeastward.  Several Mon settlements were established along the migration route into Thailand, and each created their individual cities and kingdoms.  In Myanmar, the Mons evolved into a seafaring kingdom where Indian art, culture, Hinduism and Theravada  Buddhism were integrated into their society through trade, at the port near present day Thaton.  They revered art and literature.  Archeological evidence dating from the 5th – 6th century AD shows their culture thrived in Lower Burma from Thaton to Pegu/Bago until they were conquered by the Pagan/Bagan expansion southward in the 11th century AD.


About 2nd century BC, the Tibeto-Burman speaking Pyu migrated from present-day Qinghai and Gansu province, by way of  Yunnan, developing a civilization in the valleys of central Ayeyarwardy and Sittange River.   The region where the Pyu city-states emerged in Myanmar were part of an overland trade route between India and China. For nearly a millennium, they flourished.  And similarly as in the Mon Kingdom, through trade,  introduced to Indian culture, Hinduism and Buddhism. The mid-9th century after,  a hundred or so,  years of persistent Nanzhao (of the Tai-Kadai speaking groups) raids originating again from the Yunnan province in China, marks the decline of the Pyu civilization. 


The Pyu civilization fell to obscurity by the 12th century. Their culture and histories absorbed by the Mranma/Burman, a group of “swift horsemen” who migrated south arriving with the Nanzhao raids.  Or they may have started migrating to the region before the Nanzhao raids,  already living within the Pyu civilization.  Either the case, archeological evidence shows that in the 9th century AD, they took over the territories occupied by the weakened Pyus to created the foundations of the Bagan Empire.  Though little remains of the Pyu language and culture, their architectural, irrigation and city planning skills can be seen in the excavations of 5 walled Pyu city-states:  Beikthano, Srikestra, Halin, Maingmaw, and Binnaka.  The Burmans adopted the Pyu’s city-state plans (derived from Indian models) for their city and palace designs, and King Anawrahta of Bagan in the 11th century turned their irrigation systems into main rice granaries in Upper Burma. The Pyu language was finally deciphered in 1911 when the Myazedi Stone Inscription (circa 1113 AD Pagan Era) was translated. It is considered the Burmese “Rosetta Stone” written in four languages in Pyu, Old Mon, Old Burmese and Pali.

Bagan - Ananda Temple - Mandalay - Myanmar (Burma)

Bagan – Ananda Temple – Mandalay – Myanmar (Burma)

The Bagan empire under King Anawrahta (ruled 1044-1077 AD) is considered the first Burmese kingdom.  Mahayana, Tantric and Theravada Buddhism, Hinduism and  Animism existed in the pre-Bagan period, but after his southward campaign into the Mon State retrieving Mon Pali Canons in 1057,  Anawrahta and sequential kings of Bagan embraced Theravada Buddhism infusing it with some indigenous Animist beliefs of the Nats.  The fervor of meritorious temple building by Bagan rulers, ending in 1287 with the Mongol invasion by Kublai Khan, leaves us the extensive Bagan archeological site we see today.    The architecture and  Buddhist art found there shows a diversity of styles derived from Pyu, Indian and particularly Mon aesthetics to eventually form the Burmese style.


In the western coast of  Myanmar a region bordered by the Bay of Bengal to the west,  present day Bangladesh and Chin States to the north,  and isolated from the Ayeyarwady Regions to the east by the Arakan Yoma,  we find the Rakhine State.   Archeologist have excavated two major Indo-Aryan cities, Dhanyawadi dating circa 3rd – 5th century AD and Vesali (6th-10th century AD) associated with east Bengal and southeast India.  Similarly to the Pyu and Mon civilizations of that time, Hinduism and Buddhism coexisted and shared reverence.  Muslim influences also emerged in the area through trade and commerce after the 9th century.


Though the region is named after the Tibeto-Burman speaking Rakhine ,  the ethnic group did not markedly settle in the area until the 9th century during the periods of Nanzhao raids in the upper Ayeyarwaddy region.  And like most groups that migrate to a region with an established civilization, assimilated into the existing society.  And yes… the history of this region, the dates and the origins of its inhabitants disputed by diverging texts and opinions.  What is not disputed is that the many Rakhine kingdoms maintained their independence from the Burmese until the conquest of  the Mrauk-U dynasty (1429 – 1785 AD) by the last Burmese kingdom, the Kongbaung dynasty in 1785.  The Mrauk-U kingdom was under Bengali suzerainty from its nascency in 1429,  when Jalaluddin Muhammad Shah helped exiled Rakhine King, Meng Soamun Narmeikhla, regain his kingdom from the first Burmese Ava Kingdom, to 1531.  In the beginning of the 1600’s, Mrauk U (Mrohaung), developed into an important trading hub welcoming Portuguese traders and  the Dutch East India Company.


Another ethnic group to have significant influences in Myanmar history are the Shans, a Tai-Kadai speaking group with origins from southwest China. Their southward migration into Myanmar, Laos, Thailand, Vietnam and even into India came in waves circa the 7th – 14th century AD.  There is evidence that the Shans were one of several groups entering Myanmar with the Nanzhao raids. During the Bagan Empire the Shans in the east through marriage created an alliance with the Bagan maintaining their autonomy.  After the fall of the Bagan and the Mongol invasion of  the Yunnan province,  a large influx of Tai-kadai settlers from Yunnan migrated south strengthening their existing settlements in Southeast Asia.


The post-Bagan period of Myanmar history is delineated by several kingdoms assuming power over different regions and attempting the unification of the country.  Beyond this point bloodlines have merged through inter-marriage and few rulers are of a pure ethnic group.  The Mons of Hanthawaddy Kingdom in the south from 1287-1582; the Ava Kingdom of Burmese in the northern Ayeyarwaddy region from 1364-1527;  in the west the Mrauk-U Kingdom of Rakhines (1429 – 1785 AD);  the Shans States of Mong Yang and Mong Kawng (circa 1300 – 1557) to the east;  the central Burmese Toungoo Dynasty in 1486 to 1752 considered the second unification of Myanmar;  and finally, the Kongbaung Dynasty from 1752 to until 1885.  The third and final Anglo-Burmese war ended the Myanmar monarchy when the British captured and exiled the last king of the Kongbaung dynasty, and annexed all of Myanmar as a province of British India.


I realize I just clumped Myanmar’s 600 years of  history into the previous paragraph of less than 100 words not mentioning other relevant minority groups that migrated to Myanmar before the British colonial period:  the Karens, the Chins, the Kachins, the Kayahs and their subgroups.  However, I hope to be able to fill in the details as I start the heart of my blog… my journey back to Myanmar after decades away.


Please excuse the lack of citations for the information above.


Below is a list of sites, books and journals I used to compile data:,-border-posts


Burma – Art and Archeology -Green and Blurton


The Vanishing Tribes of Burma – Diran


Buddhist Art of Myanmar – Fraser-Lu and Stadtner


Back to Mandalay – Burmese Life, Past and Present – Lewis


History of Myanmar since Ancient Times – Traditions and Transformations – Aung-Thwin


History of Modern Burma – Charney


Burma/Myanmar – What everyone needs to know – Steinberg


Greeting from Myanmar – Bockino


Blood, Dreams and Gold – The Changing face of Burma – Cockett


Where China Meets India – Burma and the New Crossroads of Asia – Myint-U


Experience Myanmar (Burma) 2016 – Rutledge


Women in Modern Burma – Rutledge Studies in the Modern History of Asia – Than


The Journal of Burma Studies – Volume 10 2005/06 –


Myanmar Policy Briefing -18 – January 2016


The Independent Journal of Burmese Scholarship – Vol.1 No.1 Aug 2016 – Thawnghmung


History of Myanmar – The Greenwood Histories of the Modern Nations – Topich and Leitich



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                                                                                                         Marcel Wanders exhibit at the Stedelijk Museum Amsterdam
A few years ago,  I had an amazing opportunity to spend five weeks traveling by train across Europe indulging my spirit and soul with Museums,  Art Exhibits,  Music,  Architecture,  Cultures,  History,  Family and Friends. I made my way from Paris to Barcelona,  Nice,  Milan,  Firenze,  Rome,  Kiel,  Copenhagen,  Amsterdam,  forlornly finishing my journey in Somerset the South West of England, vowing to have another adventure…   soon. It had been quiet some time since I last travelled abroad.  I had forgotten how much I enjoyed it.  How much it nourished my creativity,  my imagination,  my love for life. And for me, delving in the History and the Art of a place,  seeing how the past is integrated into its present,  fuels my passion for design.



A city that beautifully integrates its past and present.  Almost everything appears to be a work of art: a simple street lamp,  a sign,  a petite garden that suddenly appears along your path,  the way the fish monger displays his catch and the arrangement of cheeses and  meats in a charcuterie.  Every moment,  a  picturesque vignette with a story.


Parc des Buttes Chaumont

Parc des Buttes Chaumont

Square du Vert Galant, Ile de la Cite

Square du Vert Galant, Ile de la Cite

Jardin de la Nouvelle France

Jardin de la Nouvelle France

Musee du Quai Branly

Musee du Quai Branly

Tuileries Garden

Tuileries Garden

Statue of Voltaire in the Latin Quarter

Statue of Voltaire in the Latin Quarter

Art Nouveau Metro Entrance

Art Nouveau Metro Entrance


Fromagerie, Montmartre



Le Bar å Huîtres, Montparnasse

Le Bar å Huîtres, Montparnasse

Outdoor Market

Outdoor Market














Frog Legs in Garlic Butter Sauce!

Frog Legs in Garlic Butter Sauce!

And yet,  this picturesque city is thoroughly modern where the old and the new seem to magically reside in harmony.  In addition to the curb side Vélib’ rental bikes,  they also have little Electric Cars you can rent the same way.  A city where bike paths co-mingle with the cars,  new structures stand peacefully next to glorious old edifices,  and contemporary sculptures inhabit sacred spaces.  The citizens seem to hold upmost respect for their city.  And I can not forget to mention that Paris  has over 420 curbside Sanisette,  or self cleaning toilets,  normally open from 6am – 10pm.

What a “relief” that is!


Vélib’ Curbside Bike Rental


Electric Curbside Car Rental










Paris • Museums


Musée d’Orsay

Musée d'Orsay

I saw two amazing exhibits at the Musée d’Orsay,  formerly known as La Gare d’Orsay,  a Beaux-Arts railway station built between 1898 and 1900.  Gustav Doré,  and Van Gogh.

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Gustav Doré  was born in 1832 in Strausburg.  He was an illustrator,  lithographer,  painter,  and sculptor.  A child prodigy who began illustrating these amazing caricatures before he was 7.  I mean AMAZING!!!   By the time he was 14,  he was hired to illustrate for a French paper Le Journal pour rire.


Puss in Boots

He has illustrated the works of Lord Byron,  Rabelais,  Balzac,  Milton,  the French edition of Cervantes’s Don Quixotes,  Dante’s Inferno in 1861,  various Fairy Tales,  and Edgar Allen Poe’s the “Raven“.


Dante’s – Paradiso, Canto XXXI

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Dante’s – Inferno, Canto X



He painted  landscapes of the Scottish highlands that almost seemed to come to life.  In the  latter part of his life,  he delved into religious art and sculpture.

At the time of his death in 1883 he was sketching illustrations for the works of Shakespeare.

Here is a link to Musée d’Orsay exhibit : Gustave Doré (1832–1883): Master of Imagination


The Scottish Highlands


Mountain Landscape



Vincent Van Gogh (1853-1890),  Breath-taking to see so many of his works in one place!  “Van Gogh/Artaud: The Man Suicided by Society”.

Antonin Artaud (1896-1948) French playwright and poet was invited by the art dealer Pierre Loeb to write on Van Gogh for the January 1947 retrospective of  Van Gogh’s work at the Musée de l’Orangerie in Paris.  Artaud seemed the perfect candidate to write on the retrospective as he himself,  had been in and out of  psychiatric hospitals for the past nine years suffering from depression and psychotic episodes.

The exhibit was guided by his book Van Gogh, The Man Suicided by Society.

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Bedroom in Arles, 1888

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Landscape from Saint-Rémy


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Self-Portrait, September 1889

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Starry Night Over the Rhone, 1888

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Wheat Field with Cypresses, 1889





















Van Gogh created over 2000 paintings the last ten years of his life.  And, it was only in the last ten years of his life that he had devoted himself  solely to painting.  He died at the age of 37.  No need to describe how,  but I believe the truth remains just out of our grasps.

And we are…  left with these fantastical paintings that sway,  dance,  and vibrate in ones retina.  At least they do in my retina.  It is as if life is in constant motion,  never at rest vibrating one moment to the next.

Vincent you are my hero… and you bet,  I went to see the Van Gogh Museum in Amsterdam!  And.. after the museum closed everyone gathered for dancing, DJ, and drinks in the atrium.


Le Louvre Pyramid

Read more (more…)

Paris, just a bit more… and

Because this “blog” is a recollection of a trip I took a few years ago,  and I’m writing it in segments as I get a chance.  I will apologize now,  if it’s not flowing smoothly as it should.

Now Back to Paris

Palais de Tokyo

Palais de Tokyo

The Palais de Tokyo was originally called  “Musée d’Art Moderne de la Ville de Paris ”  when it was built in 1937 to host the  International Exhibition of Arts and Technology.  It stands separated from the Seine by the Avenue de New York (formerly Avenue de Tokio from 1918-1945).   It seemed to be one of the most neglected building exteriors I’d ever experienced in Paris.

It’s 1930’s monumental nationalistic architectural style (very similar to EUR in Rome) is impressive upon approach, but as I entered the main pavilion, I was overcome by the desire turn around from the stench of urine and alcohol,  and the amateurish graffiti tags carelessly and hastily sprayed on the walls and statues. Don’t turn back!

There are some extraordinary works of contemporary and modern art inside.

The permanent collection houses works from Fauvism, Cubism, Dadism, Surrealism to late twentieth-century art and furniture. The west wing of the museum displays temporary exhibits of contemporary art and installations.

The Museum is open til 12am.

Musée du quai Branly

I have a long list of designers and architects I admire and Jean Nouvel is the latest on my list.  I felt I could have spent days just walking through the museum taking in the nuances of experience. The easiest way to explain my experience walking through the museum is comparing it to the movie  “The Fantastic Voyage”.  You are an explorer and you’ve entered the capillaries of a complex organism.

Entrance, Musée du quai Branly

Green Wall, Designed by Patrick Blanc

Gardens, Musée du quai Branly

Gardens, Designed by Gilles Clément

The museum features the indigenous art and cultures of Africa, Asia, Oceana and the Americas. It houses both permanent and temporary exhibits. This spectacular modern museum ingeniously designed by French architect Jean Nouvel opened in 2006 to controversy and speculation on the ethos of the design based on a colonialist ideology.

Vantage from the street, a long green wall designed by botanist Patrick Blanc, initially captures your attention and partially hides the museum which rests on stilts. Upon entering the enclosure you are immediately struck by Gilles Clément’s undulating gardens with a the multitude of aimlessly placed acrylic pylons that emerge from the ground.  However as evening approaches,  these glowing plexiglas tubes start to project splatters of surreal light on the underside of the museum.

As you enter the museum proper,  you are again visually transported into another world of light and darkness.  The path flows from one level to the next and your eyes are allowed to focus on the beauty and uniqueness of each item displayed with out distraction.

Musée du quai Branly. Walkway to main exhibitsMusée du quai Branly.

Musée du quai Branly

Musée du quai Branly.


Musée du quai Branly.








There’s really no way to explain how ingeniously creative the flow of the space was designed to enhance your experience. And in this moment you realize why it took Jean Nouvel over 10 years realize his design. It’s a museum that must be experienced.

On another note, I wish that the Fondation Louis Vuitton deigned by Frank Gehry had opened while I was in Paris. Alas a reason for another visit!


Lastly,  before I leave this amazing city,  I wanted to talk about the history of Parc des Buttes Chaumont.  It’s amazing how with the right timing, right marketing, appropriate design,  and a few generations in between,  something with a bleak and horrid history can be turned into something else completely different.  As if it’s history has been completely erased from sight!

Parc des Buttes Chaumont

Today,  it’s a picturesque park with gardens,  rolling paths,  chalet gatehouses,  a grotto with a waterfall,  restaurant pavilions,  and a miniature roman Temple.

Now to it’s dark and slightly depressing history…

The hill which the park derives it’s name from,  in the 1300’s became known as the “Gibbot of Montfaucon”.  For over 400 years Parisian from miles around could see the decomposing corpses left hanging, at times,  for years from the massive gallows.  By 1760,  the guillotine had replaced the gallows, and the site became a refuse and sewage dump for the city of Paris.  After which it became a knacker yard,  and penultimately a gypsum and limestone quarry before it’s final transformation to the extraordinary park it is today.

Île de la Belvédère

Île de la Belvédère

Artificial Grotto. Parc des Buttes Chaumont

Artificial Grotto. Parc des Buttes Chaumont

IMG_3604 IMG_3629

In 1860, the site was chosen by Napoleon lll’s urban planner Baron Haussmann for a new public park in Paris.  Built by engineer Jean-Charles Alphand,  designed by landscape architect Jean-Pierre Barillet-Deschamps, and architect Gabriel Davioud,  the park opened in 1867 to coincide with the Paris Universal Exhibition.  Some of the many features of the park included a 65’ grotto with an artificial waterfall,  Davioud’s Tivoli inspired miniature Roman Temple of Sybil  and Gustave Eiffel’s  200ft. suspension bridge allowing access to the Île de la Belvédère.

I could go on for pages about Paris and all that inspired me in my short stay there,  but it’s time to leave… and take the express train to Barcelona.

Au Revoir Paris! Until next time.


Paris to Barcelona via SNCF

Before I start on Barcelona, I’ll digress bit with some of my pre trip planning.

If your budget is like mine, “LIMITED” and you like getting the most from the dollars you spend, a little bit of internet research goes a long way in making your trip safe, comfortable, worry-free and throughly enjoyable.

If you prefer to skip this section…  (more…)